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So you’ve got a brand new book on your nightstand or electronic reader. Or maybe you have a book idea that you’d love to get published. How on earth does an idea get translated to pages or bytes? A book editor could play a big role. Jennifer Lawler was my editor for Math for Grownups, and these days, she’s the imprint manager for Adams Media’s new direct-to-ebook romance imprint. Today, she answers the big question we have here on Mondays: How do you use math in your job?

Can you explain what you do for a living?

I’m an imprint manager for a book publishing company, which means I acquire books from writers based on what we think our readers will want to read. Then I shepherd the books through the entire editorial and production process, which includes everything from negotiating contracts to approving cover design to making sure the publicity department is doing its job. My job constantly switches from big-picture items like “How  does our imprint differentiate itself from other imprints like it?” to nitty-gritty items like “did that copy editor ever send over her invoice?”

When do you use basic math in your job?

I have a set budget for producing each title, but not all titles are alike, so they require different amounts of money. I have to make sure that each book gets what it needs without going over the budget as a whole, and also without being really out of whack for any one title. This is very similar to keeping a household budget and balancing a checkbook.

For nonfiction print books, I have to calculate how to make them fit into the allotted page count we have for them. At my company, page count is determined at the time a book is signed, based on the type of book it is, what the cover price will be, and other factors. Since nonfiction books are sold on proposal, not finished product, the finished product can vary significantly from what we assumed it would be at the time of signing. So I have to figure out what we can do to make the book fit. Can we add pages to the index, or subtract pages from the index? Can we add or subtract front matter? Can we go up to 2-page chapter openers or down to 1-page part openers? We can’t go over or under more than 16 pages for any project. Usually it’s not a big problem but sometimes you should see my desperation!

Do you use any technology to help with this math?

We use a special calculator based on trim size to estimate how many words per page, taking design considerations into account (lots of sidebars or illustrations mean fewer words on each page). For the budget, I just use a spreadsheet. This just helps make sure simple errors in addition or subtraction don’t through the whole process off.

How do you think math helps you do your job better?

On a fundamental level, if I don’t do the math right, the company and everyone in it suffers. We miss our projections, we overrun our budgets, we even screw up our earnings. That’s a big deal. It also helps me be creative and to make better judgment calls. If I find myself saying, “Well, it doesn’t really matter if this one book doesn’t fit the page count, I can just get the publisher to change the page count,” I know I’m being lazy. Maybe that is what has to happen sometimes, but that type of change directly impacts our profit-and-loss statement for the title, so it has to be the last resort. Same with the budget. “Well, the publisher isn’t going to kill me if I go over by a little bit.” That’s true, but it’s a lazy way of thinking. Doing the math makes me think about what I need to do differently to hit the budget. In some instances, yes, the budget simply needs to be bigger. But it could mean I need to watch what I acquire so I’m not picking up things with potential but that require a ton of editing. It could mean I need to streamline a process somewhere or develop a template instead of doing some type of custom approach each time.

Math adds a lot of clarity to my work—something I never thought a book editor would say!

How comfortable with math do you feel?

I am pretty comfortable with math except when I am put on the spot (like someone asking me point-blank to answer a math question). I find the math at work to be easy in the sense that I’m confident about not making mistakes with it. I do it in the privacy of my office, so if I have to check my calculations five different times to make sure I’ve got them right, I do it.

What kind of math did you take in high school?

I got as far as Algebra II and felt like a complete idiot by that point.

Did you have to learn new skills in order to do the math you use in your job?

I had to get over my fear of “oh my god I will screw up the math and they’ll kick me out and I love this job!” Other than that, though, the math is straightforward—definitely something a high-school kid could do. Probably a third-grader could do it

Thanks for playing with us today, Jennifer!  If any of you dear readers are interested in writing and publishing a book, check out Jennifer’s great book proposal class.  (I can recommend it from personal experience!) Or feel free to ask her a question in the comments section.

What is a television line producer, and how long have you been doing this job?

Production companies hire me after they’ve received the “green light” to develop and produce a new television series. The first thing I do is read something called the bible, a document that explains the concept, visual look and tone of the show. My job is to create a production budget based on the amount of money the executive producer has for the entire project. For example, if he or she gives me $6 million to produce 26 episodes, I need to allocate every cent within several dozen categories over the length of the production. I also create the pre-production, shooting and post-production schedules, assist with casting, hire the technical crews and then oversee the whole project from beginning to end.  I’ve been doing this work for 23 years.

When do you use basic math in your job?

I have to break everything down in the budget and make sure we only spend what we have! So for example, I have to figure out how many days we need a wardrobe assistant, how much it will cost, and make sure we have some wiggle room for overtime, extra prep days, etc. Sometimes, if I’m working on a smaller budget show, I’m the one who calculates the actors’ and technicians’ time sheets, so lots of adding, multiplication, etc.

Every week or so, I have to do cash flow reports; how much I estimated to spend, the actual costs, and estimated future costs. It all has to balance out, so if we do lots of overtime one week, I need to figure out what needs to be cut over the coming weeks to make up for that shortfall.

Do you use any technology (like calculators or computers) to help with this math?  Why or why not?

Oh yes!! Time sheets are now calculated on the computer, but I still check everything with a calculator, as I’ve fallen victim to incorrect formats. Nothing worse than a camera operator coming up to you saying his paycheck is wrong!! Cash flows and budgets are either done on Excel or through special software, often MovieMagic, which has programs for film and television scheduling and budgeting.

🙂

I have to admit I also still count on my fingers sometimes

How do you think math helps you do your job better?

It forces me to focus on what is perhaps the most important part of any creative project: the bottom line. Television is lots of fun, but it’s a business, and the executives and broadcasters expect me to deliver a project on budget. Time is money when you’re on-set, so even 15 minutes of overtime can sink you, if you have dozens of cast and crew to pay. Math makes me more organized!

How comfortable with math do you feel?

Today, I’m very comfortable with math, but since I have a tendency to do everything quickly, my challenge is always to slow down and get it right.*

What kind of math did you take in high school?

I hated math all through school, and always excelled at writing, and other creative subjects. I had one fabulous math teacher in tenth grade who finally made math fun. Good thing I was in his class, because I’d always figured I’d never need math to pursue my career goals, but was amazed years later to discover how much math I needed when I started working in television production. I was a script supervisor whose duties included timing segments with a stop-watch, adding things up and making sure we wouldn’t go into editing with too many long scenes. I was terrified of making math errors, and realized quickly to slow down, relax and always double-check my work.

Wendy Helfenbaum is a writer and television producer in Montreal, Canada. Visit her at http://www.taketwoproductions.ca.

*This is perhaps the best advice I can offer anyone who is struggling with math.  Only your fifth-grade teacher and the Mathletes coach care how quickly you can do calculations.

Last week’s Math at Work feature was with my sister, Melissa, who is a speech therapist.